Sunstroke Press is an independent publishing house. By signing up to our newsletter, you'll be the first to receive notice of new titles, projects, events, recommendations and more.
Long time, no chat! Thank you sincerely for being here. I wanted to pop by and bring everyone up to speed on the latest from Sunstroke.
Over the past few months, our team has been quietly and excitedly working toward bringing our newest title, Word Art, to life. It’s an experimental literary art journal composed of text-centric pieces gathered from a group of writers and visual artists, as well as the depths of the internet. Curated by editors Alex Moreno and Claire Richards, and designed by Lauren Cassiano, Word Art emerged from a writing critique group whose participants also happened to be visual artists. Funneled through their 2024 submission call, the work feels expansive, and together they explore what happens when words are treated as their own material.
We are thrilled to share that Word Art is now available for pre-order for a limited time, before it launches in early 2026!
The flyer for Word Art's fundraiser at Selva, designed by Jing Tong Teo.
To our readers based in New York City, we also hope to see you at our upcoming fundraiser, which will support the production, printing and promotion of Word Art. Event tickets are available for purchase on Eventbrite now.
We’ll be hosting readings, a literary open mic, and a raffle! It’s going to be a warm, joyful celebration of independent publishing. Sign ups for the open mic start at 7:00 pm. It’s first come, first served, with readers allotted 3-4 minutes each.
When? Sunday, December 7, 7:00 to 9:00 PM Where?Selva at 1329 Willoughby Ave, Suite 121, Brooklyn Featuring Brooke Finegold, Kaylee Jeong, Helen Chen Get tickets via Eventbrite
A spread from Sophia Cutino's Diaries of a Wet Bird, released earlier this year.
We’re also approaching a year since the release of Diaries of a Wet Bird, our inaugural title and photo book by Sophia Cutino. Our thanks go out to everyone who has purchased a copy or shared one with a friend. Copies of the book are still available in our shop, in case you were wondering!
Finally, our team is growing! I’m happy to welcome Cassidy Howard, a close and wildly talented friend, who will be stepping into the role of Managing Director here at Sunstroke Press. She will be overseeing operations and the wider publishing process. I will be taking on the title of Founding Publisher, working side by side with Cassidy to continue building the foundation of the press.
Cassidy brings experience across publishing, design and editorial work. She supported the publication and marketing of Jessica Valenti’s recent New York Times bestseller, Abortion: Our Bodies, Their Lies, and the Truths We Use to Win, contributes to Valenti’s reproductive rights newsletter Abortion, Every Day, and wrote the foreword for Clifton Mooney’s Gauche, a photobook available at Mast Books. I’m incredibly excited for what’s to come with Cassidy on our side.
If you have been working on a manuscript — whether literary, photo or art — we will be opening our next reading period soon. Keep an eye out for updates via our Instagram and website.
With gratitude, Birdy
In Our Orbit
In Our Orbit is Sunstroke Press’ recommendations section. This is a snapshot of stuff we like right now, whether that’s an old movie or a new poem. Each link directly gets you to where you can listen, watch, purchase or learn more about the recommendation. Enjoy!
As a devoted Twiglette, this is potentially one of her best projects to date. It combines the ethereally dark production of LP1 and Magdalene but still embodies the joyful, sexy, avant-garde pop sound that she’s grown into with Caprisongs and Eusexua. In my opinion, it’s the perfect blend of her past and present, and "Sushi" may be one of the best songs I’ve heard all year. –Kristen Williams, Photo & Marketing Director
Motomami is one of my favorite artistic projects of all time, not only as an album but as Rosalía put it, a philosophy — and I was not disappointed by this follow up three years later. Rosalía returns to the grandiosity of El Mal Querer's grandiosity, like in the opening track's soaring orchestral arcs, but it also keeps her experimental edge on punchier mashups like "Porcelana." I have a feeling I'll be studying this record for a long time (and not only because she sings in 13 languages on it). –Cassidy Howard, Managing Director
No Other Choice, dir. Park Chan-wook
Showing in US theaters on December 25th
Park Chan-wook’s No Other Choice is an honest, bloody, bleak and darkly humorous deep dive into how far one would go when the corporate ladder slips right out from under you. Park’s film explores how a paper manufacturing specialist (played by Lee Byung-hun) gets pushed to wild extremes in order to secure a new job, an obvious ode to the pressurized capitalist regime we all fall victim to. I found it painfully funny and beautifully shot in a way that screams Park’s iconic and inventive cinematography style at his very best. Sat on the edge of my seat with my head in my hands the whole time, No Other Choice is definitely one of my favorite watches of 2025. –Jing Tong Teo, Designer
They weren’t kidding about Past Lives, guys. I missed it at its peak moment, but looking back on everything I consumed in 2025, this is one of, if not the, standout. It is exactly the kind of gut-wrenching storytelling I love. There is no coming out of this one without a few tears and something within you that isn’t changed forever. –Birdy Francis, Founding Publisher
Translated from Spanish by Heather Cleary and Julia Sanchez, this short story collection is a recent favorite. The female experience in Mexico is the common thread between these thirteen stories, weaving together narco-royalty Insta baddies, Santeria witches, and victims of femicide in a really sharp and bold collection. Does a really good job of balancing social commentary with humor, couldn’t put it down. –Casey Beifuss, Illustrator
My dad is a long-time fan of Denis Johnson, the author of the novella that the film adapts, and I've been on a big early American West kick lately, so this had been on my radar for a while. I listened to the audiobook, read by Will Patton (who also narrates the film), a few days before the Netflix release, and... wow. I cried during my lunch break. Told in strange, dream-like vignettes, we follow the relatively mundane yet emotionally vibrant life of a railway and lumber worker through the late 1800s into the 1960s. The cinematography is gorgeous, the performances are potent, and they did a really wonderful job of bringing the intimacy of Grainier and Gladys's relationship to the screen. I immediately regretted not seeing it in theatres. Here's hoping they run it again soon. –Turi Sioson, Publicity Director & Editor
Sunstroke Press is an independent publishing house. By signing up to our newsletter, you'll be the first to receive notice of new titles, projects, events, recommendations and more.